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  • Weekend Art Roundup

    There are many great art events taking place around town this weekend. Here is a rundown of the highlights: Yard Dog Art will be hosting an opening reception for their latest exhibit from 7-9pm on Friday. Over and Under is a group show curated by Jenny Hart from Sublime Stitching. Austin's embroidery queen first exhibited her work at Yard Dog and has now selected work from a list of stitching all-stars. Over and Under showcases the wide range of styles and techniques that stem from the simple stitch - from Emily Eibel's quilt squares that depict modern folk scenes to the delicate hoop-framed work of Veronica Fuentes. The truly inspired can pick up a Sublime Stitching kit and do the over and under all night long.

  • Wine: Austin Cellar Classic Is Tomorrow

    With October's Tour De Vin at Whole Foods and November's Big Reds and Bubblies at The Driskill, fall is already the favored season for swanky wine and food pairing events in Austin. A new entrant to the mix this year is the Austin Cellar Classic, a 2-day event hosted by Max's Wine Dive combining a pairing dinner on Friday with the main event of a grand wine tasting on Saturday. For this post, we're solely focused on the big wine tasting.

  • Austinist Interview: Alex Ebert of Edward Sharpe & The Magnetic Zeros

    Alex Ebert was the singer of the LA-based outfit Ima Robot with a major label deal and all the stress that goes with it. So, after some very attitude-changing realizations about himself and his state of mind, he started a new band with new sound and a new outlook on life. Enter Edward Sharpe & The Magnetic Zeros with their spirited folk tunes touching down in Ennio Morricone and psychedelic territory from time to time and staying catchy enough to sing along to and dance with the band. We spoke with Ebert before their show in Austin at The Independent to hear about the secret ingredient to a happy band.

  • Fun Fun Fun Fest Interview: Red Sparowes' Dave Clifford and Greg Burns

    Lacking lyrics, Red Sparowes nonetheless have plenty to say. This instrumental rock band is erudite, expansive, and poised to release on their next album the culmination of their career evolution. On the eve of Fun Fun Fun Fest, our conversation with Dave Clifford (drums) and Greg Burns (bass/pedal steel) touched upon just about everything from Mao and the Sophists to the trouble with labels beginning with post-.

  • Fun Fun Fun Fest Previews: Street Dogs and Betaplayer

    Street Dogs hail from Boston's Dorchester neigorborhood, and are damn proud of it. The band features original Dropkick Murphys vocalist Mike McColgan (who left the Murphys for several years work as a fireman before returning to music) and features a mixture of punk and folk stylings in their songs, many of which have a definite political bent. While the 2006 album Fading American Dream addressed the Bush administration's failings and working-class problems with hearts firmly on sleeve, the band's latest, 2008's State Of Grace, feels more positive in its tonality. With heroes like Billy Bragg and Joe Strummer, it would be difficult for anyone not to enjoy spending 45 minutes with Street Dogs this weekend - because they really mean what they're doing, and you'll know it.

  • Longhorns Around the Web

    Each Friday, we'll be offering up a sampling of Longhorn- and Big 12-related sports coverage making its way around the Web. This week: a slip of the tongue, some hardware, and this week's line.

  • Book Festival Interview With Jonathan Foer

    Last Sunday during the Texas Book Festival, I sat down for lunch with Jonathan Foer, author of Eating Animals. I wanted to talk about his new book and at the same time introduce him to one of Austin’s treasures: the vegetarian food at Casa de Luz. As we walked into the less-than-full restaurant, he said, "Nice. Wow, if this were Brooklyn, the place would be packed. What's going on?" "New York City prices," I replied. Your book will be released next week. Have you had any reaction so far?

  • I Am So Popular: Love Me Doo-Doo

    I love, love, love fake shit. And when I say, “fake shit,” I am not euphemistically referring to, say, “reality” TV shows, imitation boobs, or the way some of the ex-girlriends of my young, hot, domestic partner treat me at cocktail parties. No, no, when I say “fake shit,” what I mean is prosthetic poo-poo, crafted ca-ca, faux fecal matter. So when esteemed Austinist arts editor, Emily, asked me if I might like to profile Kourtney Lea Moon-- aka Angry Olive-- and when I found out that Kourtney sews embellished excrement as part of her emporium of uber-cool crafts, I jumped at the chance. I emailed Kourtney to tell her of my love of fake shit, and how thrilled I was when Warren gave me a box of plastic dog crap for my birthday. She enthusiastically responded: “You can never, I repeat, NEVER be given too much shit! Fake, real, plush, cute, fossilized... We deal with it everyday- literally. Best present ever...”

  • Why We Don't Like You: Central Florida Knights

    Each week, we'll look at some reasons to taunt, belittle, and bully the Longhorns' football opponent. This week: the Central Florida Knights.

  • Local Music is Sexy with TV Torso, The Low Lows, Many More [Tonight at The Mohawk & Club Deville, Free!]

    So you missed last night's Bleet Up, the first event leading up to what will surely prove to be the best Fun Fun Fun Fest of all time. Well fear not, music-loving citizen: you have an excellent opportunity to redeem yourself tonight by attending, and definitely not, in any way, shape, or fashion missing, the greatest installment of Local Music is Sexy yet. Even better than the Bleet Up ('cause it's free!), Austinist will take over both stages of the Mohawk and the outside stage Club Deville tonight to present sets by some of our city’s finest practitioners of the rock and roll—not to mention disorderly marching music—to help you celebrate the imminence of the only fest that offers you fun in triplicate. The music starts at 8pm following the early-ish After the Jump blogger panel (featuring Austinist's own music editor Paige Maguire), and runs until midnight. We’re keeping mum, but there may or may not be a few surprises in store for those who stick around the Mohawk’s inside stage after the clock strikes 12. Let’s run this down one more time: free, sexy, local, music. Those are the makings of a definite must-attend event in our book. Follow the jump for a complete list of bands and set times, and we'll see you tonight!

  • Interview with Bobby Hackney of Death

    It might not be a total surprise that one of the underground debut records of the year is a volatile stew of insistent, young and charged vocals, driving guitar and churning, turn-on-a-dime rhythms. It's the stuff that garage, punk and hard-rock legends are made of. But it might be unprecedented that it's a recently-uncovered and nearly 35-year-old recording made by a band that disappeared from the radar screen almost as soon as it popped up.

  • News Bits!

    Troubling portrait emerges of Fort Hood shooting suspect. Blood donations needed after yesterday's attack at Fort Hood. Obama to sign homebuyer, jobless bill assistance. Families of the missing seek answers amid carnage in Cleveland. TABC to change way it investigates use of excessive force. State orders Hays County jail to close kitchen; two held in attempted kidnapping at strip club. McCartney: The Beatles weren't that good (when they first started out)....

  • Fun Fest Weekend Preview: After The Jump & Local Music Is Sexy

    The fourth edition of Fun Fun Fun Fest officially kicks off at noon tomorrow and naturally, one can be forgiven for looking ahead to day one already. The likes of The Jesus Lizard, Les Savy Fav, Chelsea Peretti, The Sword, Pharcyde, Neon Indian, and Shearwater are all on Saturday’s schedule but let’s hold our horses for we still need to indulge in a full night of revelry before we set up camp at Waterloo Park for the weekend. This evening, Austinist proudly presents the After The Jump blogger’s panel at 5:30 at The Mohawk, followed by the latest installment of our Local Music Is Sexy series, spread across the 'hawk and Club de Ville this year.

  • Fun Fest News: Danzig, Death & More

    Marc Savlov interviews Danzig. "I do a record when I have something to say, and I want it to be better or bigger or stronger each time. Because otherwise, why do it? There's no money in music anymore, so I'm not doing it for the money."

  • Austin Bleet-Up Preview

    Okay, now on to the fun! Co-sponsored by Austin Eavesdropper and Ultra 8201, the Bleet-Up this year is a conglomeration of partners including press outlets (ahem), PR Teams, restaurants and more.

  • Fort Hood Massacre: What's Known So Far

    AP is reporting that a dozen people are dead and at least 31 wounded after the shooting rampage at Fort Hood Army base this afternoon. All three suspects believed to have been involved were United States soldiers; one was killed in the attack, while the other two are in custody. The shooting occurred at the Soldier Readiness Center on the base; AP describes this building as "where soldiers who are about to be deployed or who are returning undergo medical screening." [AP]

  • Review: The Trojan Women at the University of Texas [theater]

    As is the nature of myth, the classical Greek plays are more or less timeless—they've endured for millennia, after all, because their themes continue to resonate—and none are more relevant to any given situation than this one. As Troy has fallen, the men are dead and the women await being divvied up among the conquerers. Hecuba, queen of Troy, leads her daughters in preparation for their new life as slaves. This is the core of The Trojan Women in every adaptation, and it's not hard to note its relevance to every war men have fought. But when a work is as timeless as this one, the need to update it for a new generation is called into question: Do we need to hear Hecuba call the conquering Menelaus a son of a bitch to understand that she's really, really mad?

  • Le Diamant Brut: Fun Fun Fun Fest Edition w/ The Jesus Lizard & Kid Sister

    What’s the Deal: Fun Fun Fun Fest has built a reputation of bringing in “What the… I never thought I’d ever have a chance to see that band” bands over the past few years with groups like Dead Milkmen, Bad Brains, Danzig and The Jesus Lizard. In most cities, The Jesus Lizard reunion shows probably wouldn’t be a main event to the masses. But, here in Austin, where an almost unnatural lust for the music we loved from a bygone era (even though the 90s aren’t that long gone) mixes with the fact that the group formed here about 20 years ago before relocating to Chicago, their performance is at the top of many Fun Fest goers’ must-see lists. Also, it doesn’t hurt that the group has a reputation for putting on exciting and ferocious live shows.

  • Review: Brazos' Phosphorescent Blues

    Brazos’ debut LPs has been in the works for a while now. It’s been two years since principal member Martin Crane released the first EPs to fly the Brazos banner, A City Just as Tall and Feeding Frenzy, which he wrote and recorded entirely on his own. The fact that those EPs were essentially bedroom recording projects, coupled with the two year absence of any new material during which Crane assembled a (mostly) steady lineup for the band, may account for why Phosphorescent Blues is such a compelling departure from the original Brazos recordings. The album is beautifully recorded, and filled, for lack of a better phrase, with a kind of joyful nostalgia—both for the past and the future, if that’s even possible.

  • Fun Fun Fun Fest Preview: Growing and D.R.I. [Sunday]

    Orange stagers take note: Fun Fun Fun Fest derives much of its credentials from what could only be named the Black Stage, an uncanny gathering of punk and metal legends you won’t see in any one place anywhere else. Even Especially if your neti pot is the most hardcore element of your daily routine, take our advice and spend a few hours at the Black Stage this weekend; the carnage you’ll witness features the blue blood of many a noble music lineage. One such act is D.R.I (Dirty Rotten Imbeciles), one of the very first bands to fuse punk with thrash metal way back in the mid-80s. Their 1987 album Crossover, virtually gave birth to this eponymous movement. Among D.R.I.’s earliest tour experience is “Rock Against Reagan” with the Dead Kennedys.

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